Gabriele D'Annunzio was one of the most flamboyant figures in the political history of modern Europe. A poet in the Byronic style and a popular hero of the First World War, D'Annunzio passionately believed that the sacrifices of war should prelude a new social order. His capture of the city of Fiume in 1919, which had been claimed by Italy as part of the settlement before the Versailles Peace Conference, has been popularized and romanticized ever since.

Ledeen uses information gathered from Italian and American archives and from personal interviews to examine the sixteen months of D'Annunzio's personal rule in Fiume, seeing it as a harbinger of successful mass movements of the twentieth century. The connection between D'Annunzio and Fascism is central to Ledeen's narrative. Virtually the entire ritual of Fascist politics made familiar by Mussolini--the balcony address, the Roman salute, the dramatic dialogues with the crowd, the use of religious symbols in a new secular setting--was influenced by D'Annunzio at Fiume. Both were masters of a political style based on personal charisma. Each spoke for a "new" Italy and, eventually, for a new world. Each attempted to transform his countrymen into more heroic types by an ethic of violence and grandeur.

Ledeen brings sharply into focus profound differences between D'Annunzio's vision of a new world and that offered by Fascism. Significantly, D'Annunzio enlisted support from the most diverse elements of society--politicians and businessmen in addition to representatives of radical trade unions, anarchist groups, and the armed forces.

Michael A. Ledeen is a resident scholar in the Freedom Chair at AEI.